Mayor Ben Taylor takes a tour of Linda Franklin’s studio
Quilting work by Suzanne Lyle, Red River Gum 2018
The Art of Making - April 2020
Ballarat Open Studios - the Art of Making - is a festival celebrating the art of making, uncovering the hidden stories and studios of Ballarat’s creative community. Through a program of exhibitions, workshops, talks and creative spaces, the Art of Making will take you behind the scenes of our creative city. Experience art in unexpected places, meet the makers, learn new creative skills or just be a voyeur of creative practice.
2020 will be the inaugural Art of Making program, running from 3rd - 13th April.
Ballarat will open creative spaces for you to explore. This program will showcase the process of making, interrogating how space and place plays a role in creative design and production. Discover the workshops, kitchen tables, homes, studios, gardens, warehouses, factories and unused spaces where creative people create magic, play, experiment and make. There will be treasures to discover, ideas to inspire and objects to covet.
You will be able to devise your own journey via a map of all open studios in the Ballarat region, or join one of our specially curated tours and meet other curious explorers.
Vipoo Srivilasa working in his studio
Superhero Ceramics with Vipoo Srivilasa
Click here to register for a free workshop with contemporary ceramic artist Vipoo Srivilasa and make the impossible possible! Vipoo will host two workshops on 6 April 1pm - 4pm and 7 April 10am - 1pm, where you will create a sculptural ceramic superhero.
A heritage city. A creative city.
Ballarat is a city of diverse peoples on traditional land. Our city is a location made up of diverse creative skills with a chequered and layered history. This special heritage has left us with a complex web of crafts that have been used to tell the tale of an indigenous nation, a goldrush city and today a city of varied groups of migrants gathered, travelling through, or embedded over the last 200 years.
Additionally, our city is preparing for influx and growth into the future. We seek to capture the craft and skills of new peoples arriving in our town.
Our commitment to a vision of a Creative City of Craft and Folk Art falls under four key pillars:
Pillar 1 -
Creative a new economic heartbeat: Craft and folk art have helped our city survive throughout time. We have a responsibility to harness these skills and create environments where we can support practitioners to become sustainable.
Pillar 2 -
Celebrating, protecting and reinterpreting the rare and forgotten crafts: Heritage is critical for our city. Rare crafts, fine skills and artisanal experience are important to conserve, preserve and research.
Pillar 3 -
A welcome platform for our newer community members: As a Creative City of Craft and Folk Art we seek to integrate and harness knowledge, growing new trades and sectors, sustaining and broadening skills.
Pillar 4 -
Reinvigorating the skills of our indigenous communities: with a traceable heritage of more than 65,000 years, the skills and crafts of our indigenous peoples of the Wadawarrung, the Dja Dja Warrung and others from the Kulin nation, have been severely interrupted. We are dedicated to supporting our First Nations peoples in tracing these back, reawakening old craft forms and putting them at the heart of our craft-based city.
About the UNESCO Creative Cities Network
The UNESCO Creative Cities Network covers seven creative fields: Crafts and Folk Art, Design, Film, Gastronomy, Literature, Media Arts, and Music.
Objectives
The UNESCO Creative Cities Network aims to:
strengthen international cooperation between cities that have recognized creativity as a strategic factor of their sustainable development;
stimulate and enhance initiatives led by member cities to make creativity an essential component of urban development, notably through partnerships involving the public and private sectors and civil society.
strengthen the creation, production, distribution and dissemination of cultural activities, goods and services;
develop hubs of creativity and innovation and broaden opportunities for creators and professionals in the cultural sector;
improve access to and participation in cultural life as well as the enjoyment of cultural goods and services, notably for marginalized or vulnerable groups and individuals;
fully integrate culture and creativity into local development strategies and plans.
Weaver Ana Peditis in her studio
Ceramics by artist, Claire Blake
Textile artist Jem Olsen at work